June
2008
A Dog's Happy Life
Voice News - Arts
June 7, 2008
Anyone
who's owned a golden retriever has a story of how their
plaintive pooch could spend hours motionless, puppydog
eyes gazing at an object of their desire.
My old retriever Sally (now blissfully rolling around
in a smelly doggy heaven) had a look that said 'Yes,
I don't have a voice box, but I'm looking right at what
you're eating and you know what I want.'
Archibald
Prize finalists and arty couple Marc and Gillie Schattner's
new exhibition Wishful Thinking fuses these
eternal gazes of domestic pets with thoroughly human
notions of a happy life. They also explore domestic
objects and routine to push pop art and figurative expressionism
into a witty niche.
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June
2008
Partners in Paint
Western Suburbs Weekly
June 17, 2008
Out
of the tragedy of the 2001 terrorist attacks in New
York came a return to more simplistic, positive art
styles which rubbed off on Australian painters Marc
and Gillie Schattner.
Several years in the US also cemented the pop art movement
as a strong influence on their work, mainly interpretative
images representing feelings rather than specific individuals.
But the biggest changes were wrought by their return
to Sydney.
Despite sharing the same studio and exhibitions for
more than a decade, the Archibald Prize finalists started
competing for top bidding as the household's most successful
artist. Healthy rivalry soon transformed into a frustrating
cycle of elation and disappointment, until after three
years of bittersweet congratulations over the latest
artistic win they had had enough.
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MAY
2008
Two-UP
Sunday Times Perth W.A.
May 31, 2008
ACCORDING
to Sydney art duo Gillie and Marc Schattner, happiness
can be found only by accepting what you have in the
present.
This is perhaps why, when the pair grew jealous of each
other’s individual successes, they accepted they
could never be happily married with separate careers.
Saying goodbye to the unattainable ideal, they joined
forces to share their successes as a team.
Fifteen years later, they are preparing for their exhibition
It Takes Two, a summary of the Wishful Thinking series,
at Linton and Kay Fine Art Gallery this month.
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JANUARY
2008
Double Take
The Weekend Australian Magazine
January 5, 2008
Painters
Marc Schattner,
46, and his wife Gillie,
42, were being torn apart by rivalry - until they decided
to share the same canvas. They talk to Helen O'Neill.
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NOVEMBER
2007
'The Perfect Gift' Published
The
Perfect Gift, a
new childrens book by Gillie and Marc Schattner,
published by Random House.
BOOK
REVIEWS
‘How is it in life that such simple messages are
lost ? My children need to understand the messages in
your book, and they will. But more importantly wouldn’t
it be amazing if our business leaders, politicians,
even world leaders took a few minutes to consume, digest,
understand and appreciate the simplicity of the story
and how happiness can be so close and so easy to achieve.
If I had a red hat, I’d take it off to you. Congratulations..’
Larry Emdur, TV personality/host
‘I did love the book! I really did! I
read the story to my little five year old in bed. We
read it again. We then had to read it again! And again!
And even again! That night, we read ‘The Perfect
Gift’, five times! It was funny, thoughtful, beautifully
illustrated and slightly queer. All the things that
children love. It is on the top of our reading book
pile and I believe my little boy is taking it to Show
and Tell on Friday! Congratulations and thanks so much
for sending your great story to us!.’ Alannah
Hill, designer
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SEPTEMBER
2007 Domestic
Delights
The Brisbane Sunday Mail September
16, 2007
THE pop art canvases
painted by Gillie and husband Marc Schattner bring a
cheerful image of domestic life – not too sweet
but bordering on whimsical.
A little girl eyeing an ice cream, an older girl drooling
at a flash Mini Cooper, another reflecting Paris Hilton
with her penchant for small dogs, and a larger weimaraner
dog by an armchair are indicative of how their artwork
reflects what we find comfortable about our home lives
and what amuses us.
Marc, an advertising creative director and Gillie, a
graphic artist, have been working together for 15 years,
often brainstorming at night and on weekends in the
garage they converted into a studio in their Sydney
home.
Ronnie
Girdham
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SEPTEMBER
2007 Opinion
Polls
The Daily Telegraph September 5, 2007
John Howard and
Kevin Rudd are used to being nailed to power poles in
the name of politics, but last week they were being
hung high in the name of art.
As a breeze ruffled through the trees of Bellevue Hill,
married artists Gillie and Marc Schattner hammered their
latest collaborative art works on to the pole outside
their home. One was a poster of Howard with a puppy,
the other was Rudd with a baby.
Each poster carried the none too subtle message: VOTE
ME.
In coming weeks, up to 1000 of the posters will appear
as the Schattners and helpers paste them up.
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AUGUST
2007
Pop Goes the Artworld
Australian Art is going through
an exciting state of flux. Experts will tell you that
the creative scene has been driven for the past ten
years by male artists - in particular, angry male artists
- expressing themselves through violent and painful
images designed to agitate, disturb and upset the viewer.
Tastes, however, are now changing. In reaction to these
testosterone fuelled, aggressive images, a gentler,
more refined creative expression is gaining popularity.
Art is taking on a “romantic” sensibility,
with a focus on portraiture and the celebration of every
day objects. Images are softer, and execution techniques
more restrained. More female artists are coming into
prominence too. But Art is not a single entity, a tamed
beast that behaves predictably and consistently. The
Contemporary Art scene is the sum of all prominent artists’
output and there are those who don’t fit the mold.
Gillie and Marc Schattner are a prime example. Finalists
for the Archibald portraiture prize in 2006, Gillie
and Marc’s work forms a bridge between the aggressive
male dominated Art of the past decade and the current
gentler, female-driven movement. Their subjects are
a celebration of the commonplace - pets, furniture,
portraits - reminiscent of the Pop movement which characterized
the art scene of the 1960’s. At that time, reaction
to the Vietnam War and its far reaching socio-economic
and political effects played a significant factor in
shaping the creative climate, with artists wanting to
remind us that every day life should be appreciated.
Arguably, similar forces are at play today.
Unlike Andy Warhol’s highly-refined images, however,
Gillie and Marc’s work takes a raw approach in
expressing images, incongruous with current trends.
Working (and living) together with cohesive, symbiotic
energy, Gillie and Marc are most well known for their
diptyches - two images placed side-by-side to create
an emotional reaction which is greater than the sum
of its two separate parts. As Gillie puts it, “There
is no image that hasn’t been seen - but by juxtaposing
different icons together, an interesting, dynamic narrative
is created in the viewers mind”. Gillie and Marc’s
current work of drawings paintings and sculptures, using
imagery of domestic dogs next to chairs and sofas, exemplifies
the philosophy eloquently. Marc explains, “A domestic
dog is a symbol of loyalty, comfort and companionship.
The sofa is symbolic of modern comfort and domestic
bliss. So placing iconic images of the two side by side
creates an even greater sense of ease and contentment.
And keeping the treatment raw stops the composite from
being saccharine. We’re all disturbed by the violence
in the world today. Of course, it was bound to impact
on Art, but people don’t want it there anymore.
They want to feel safe, content, validated. Gillie and
I strive to capture the essence of those positive feelings
through figurative imagery”.
For more information on Gillie and Marc Schattner, and
examples of their work, visit www.gillieandmarc.com
or www.libbyedwardsgalleries.com
Boaz Stark
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JUNE
2007 'Modern
Addiction' Art Exhibition
The Age June 13, 2007
A team in more
ways than one, partners Gillie and Marc Schattner make
a collaborative comment on Modern Addictions, while
remaining positive and
fun-loving.
Libby Edwards Galleries
1046 High Street
Armadale
June
14 - 28
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JUNE
2007
John Konrads on Canvas
One of the finalists
for the 2006 Archibald Prize, Australia's oldest and
best known art award, is a painting of Olympian swimmer
John Konrads, entitled 'John and his Black Dog'. The
outstanding work was a joint effort by artists Gillie
and Marc Schattner (pictured right). The couple have
kindly donated the painting to the Black Dog Institute
in recognition of John Konrads' leading role, both as
a board member of the Institute and as a community leader
in breaking down the barriers around mental illness
- in particular, mood disorders.
The large painting will be placed on display at the
Black Dog Institute facility on the grounds of the Prince
of Wales Hosptial.
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NOVEMBER
2006
'The Happiest Day of My Life' Published
The
Happiest Day of my Life a
new childrens book by Gillie and Marc Schattner, published
by Random House.
A gentle reminder to us all that life is not forever,
so enjoy every moment!
Articles
BAYSIDE
BULLETIN,
Make the most of each moment, 14 November 2006
THIS
IS A WAR.COM November 2006
DAILY
MERCURY, Sit back, relax and check out these two
books, 4 September 2006
AUSTRALIAN
BOOKSELLER & PUBLISHER,
The Happiest Day of My Life, October 2006
BALLARAT
COURIER The Happiest Day of My Life,
19 October 2006
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JUNE
2006 'Creature
Comforts' Art Exhibition
The Sunday Telegraph June 25, 2006
Marc and Gillie
Schattner shared an opening on Tuesday night at Woollahra's
Libby Edwards Gallery - a space fast becoming a focal
point for interesting art. The Schattners have exhibited
in New York, Hong Kong, Singapore and Belgium.
Faces - Katie Edwards, John Konrads, who officially
opened the exhibition, Elise and Michelle Chanesman,
Dee O'Loughlin, Jo Gregory
Charmed
- Seriously good crowd
Alarmed - Marc Schattner's shirt was very East
Village
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ARCHIBALD
PRIZE FINALIST
2006 John and his Black Dog
Acrylic on Canvas 304 x 198cm |
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FEBRUARY
2005 Life
Can't Wait for Organ Donors, and Nor Can Art.
The
Sydney Morning Herald
May 11, 2005
An art exhibition
by Gillie and Marc of 12 lives urgently waiting for
an organ donation during Organ Donation week, sponsored
by the Red Cross Blood Service.
Thursday
24th Feb 2005, 6-8pm
Darling Park, 201 Sussex Street, Sydney
Click here for press release
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